And I, I love them for what they are.  With all their filth and all their vices.  I love their voices and their warm grasping hands, and their skin, the nudest skin of all, and their uneasy glances, and the desperate struggle each has to pursue against anguish and against death.  For me, one man more or less in the world is something that counts.  It's something precious.  You, I know you now, you are a destroyer.  You detest men because you detest yourself.  Your purity resembles death.  The revolution you dream of is not ours.  You don't want to change the world, you want to blow it up.

prison

The one who realizes in anguish his condition as being thrown into a responsibility which extends to his very abandonment has no longer either remorse or regret or excuse; he is no longer anything but a freedom which perfectly reveals itself and whose being resides in this very revelation.

"superiority" of race and culture?

//||----__\||in celebration of the ideal leather jacket.

//||----__\||the urban gold, impossible to find.

//||----__\||which exists only in the sweetest dream.

i live in a micro-culture where one's biggest concern is such.

______________where spending money becomes a chore.

________________________where survival is obsolete.

so why bother?

afraid of

dependence.

[][][][] |||\\//|||__////

friday night

L'enfer, c'est les autres

\\\|||\\\

Sometimes he would keep the skulls or other body parts as souvenirs.

born free

M.I.A.- born free

directed by Romain Gavras 

Automation

"Automation"

Spring/Summer 2010

AnOther Man Magazine

Artwork by Phil Hale

Styling by Alister Mackie

Model Alex Bennett